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Hello, I know this post was already about as many times. But I had installed my software on the PC of my father there are about 4 years, and since I never found out how to reinstall it on my PC because I lost my license code, I just give you the information listed under my U -Mix Control Pro 2: M110901992A September 2011. I still have the 2011 CD, which it called Cross DJ, I have had with the U -Mix Control Pro 2. Please help me, I would really like to use it again. Posts: 3 Joined: 05 Apr 2013, 20:18.

Video Review French company MixVibes is one of the smaller digital DJ companies, but is well-respected in Europe and especially in its native France. The company has MixVibes Cross DJ as its flagship software product, and now it has a controller to go with it – the U-Mix Control Pro.

(Incidentally, there’s iPad remote control software on the way too – we’ll review that too when we get our hands on it) When you buy the controller, you also get the full version of the software – no “light” edition, and so no need to then go and invest in a full-priced version or an expensive upgrade to unlock important features, as happens with some DJ controllers. Let’s look at the package as a whole First impressions/setting up The box outlines the feature set within, which is a decent one: two-deck DJ controller; built-in sound card (two-stereo-in, two-stereo-out, meaning it can handle external decks or CD players and a microphone as well as two software decks); two sizes of headphone jack; touch-sensitive dual-use jogs; and lots of additional features including crossfader curve adjust, separate gain controls, press-to-kill on the EQs, and tight hardware control over hot cues, loops and effects. In the box are a CD with serial for the software, a bagged manual in English and French, and three leads: A USB lead for connecting to the computer (the device is USB powered; no need for mains), and two types of audio lead to suit differing set-up needs. The latter is a nice touch; many manufacturers don’t cover both of these bases for you, meaning you may have to go out and buy an extra lead to get it working. The unit is compact, attractive and pleasingly heavy; it’s obviously a well built, rugged controller and feels much better than many controllers in its class. It has a solid metal chassis that wraps up the front and back, with big rubberised feet; a chunky earth pin and Kensington lock on the back alongside the various inputs and outputs (only unbalanced RCA outs, by the way, and no booth control); and a compact but well laid-out control surface with high-quality knobs, buttons and faders.

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The jogwheels are smaller than most but well made, solidly attached and pleasing to spin, with some weight behind them. The EQ controls are perhaps a little plasticky and scratchy, but the gains right next to them (for instance) aren’t, so this is probably by design. The two-volume faders are stiffer than on most controllers but smooth, and the crossfader is nice and loose. The addition of a crossfader curve adjuster on the back means that the unit could be easily used for scratching. The overall impression is of a compact, well-designed and attractive controller, that seems well-built and certainly capable of withstanding some heavy-duty use. Getting up and running Unfortunately, the USB cable supplied with the review sample didn’t work; it provided power to the unit, but no control and the interface software didn’t recognise the unit when plugged in. However once I’d worked that out, set-up was simple enough; you install and run the software, check the sound device is selected in the audio preferences and check the controller is selected in the Midi preferences too (both already were in my case).

Moving the controls on the unit confirms that the Midi is working when the corresponding controls react on the screen, and plugging in headphones and speakers and dragging a couple of tunes on to the decks confirms the sound is working as it should too. The Cross DJ 1.5 library mode frees up more screen space for you to browse your tunes; you toggle display modes by pressing F7. In use Library functions Like most DJ software, you have a library of tunes within the program.

So if you play a tune, Cross DJ adds it to its virtual “library”; you can then access that library by clicking “Collection”, where all the tunes known to the program appear, cue points remembered and so on. There is also a file browser for locating music that’s not yet in your collection anywhere on your system, and (most usefully to many DJs) direct access to your iTunes folders and playlists. ITunes folders aren’t nested, so if you have playlists or folders within other folders in iTunes, they’re presented as one long list. Not a big issue unless you’ve got a complicated iTunes library, but a niggle nonetheless. Even if you choose to DJ directly from an iTunes playlist (because you like to prepare your music in iTunes, away from your DJ program), the software still remembers any cue points you’ve set beforehand, which is good. Like Traktor, you can’t edit title, artist, rating, comments and so on from here, which is annoying because if you want to add a comment to a tune in the comments field while DJing from an iTunes playlist, you have to go to the Collection and find it there to do it, or switch back to iTunes. We saw Cross DJ 1.6 at the recently and one of the features is improved iTunes handling, so we’ll see if some of these niggles get addressed in the latest version of the software. A browse knob that clicks on turning allows you to browse the contents of the currently selected folder or playlist; clicking down on it moves down a folder or playlist in the list, and shift-clicking moves up one.